Enhancing classical painting techniques with elements of pop art, kitsch, and camp, Katrin Valgemäe’s subtly grotesque pinup product series takes inspiration from the media’s exaggerated self-centeredness, revealing various layers with intriguing narratives upon closer examination.
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Kitchen Mitten is suitable for use in the kitchen, barbecue, and oven heating. One side of the glove is double wool and the other side is leather with a single woolen layer. The length of the cotton hook is 7 cm.
Shipping 3-7 working days
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Pot Holders “Meta-Absinthe” that are not only Practical Accessories but Also Statement Pieces!
Meta-Absinthe is a fusion of “today’s absinthe,” which is the excessive glamour of (sochial) media, and Eduard Wiiralt’s “Absinthe Drinkers”.
Our everyday visuals are flooded with “beautiful pictures” and “good life,” but when we start delving deeper, where do its roots reach? What dependencies are hidden within us, and what are we trying to cover them up with?Let these pieces remind you to savor life’s little moments and find beauty in the everyday. Because, after all, who says functional can’t also be fabulous?
Enhancing classical painting techniques with elements of pop art, kitsch, and camp, Katrin Valgemäe’s subtly grotesque pinup product series takes inspiration from the media’s exaggerated self-centeredness, revealing various layers with intriguing narratives upon closer examination.
New
Life is composed of countless ephemeral moments, much like the bubbles in a glass of Prosecco. 🥂 The painting “After Third Prosecco” hails from the “Estonian Preacher” exhibition in 2022.
Enhancing classical painting techniques with elements of pop art, kitsch, and camp, Katrin Valgemäe’s subtly grotesque pinup product series takes inspiration from the media’s exaggerated self-centeredness, revealing various layers with intriguing narratives upon closer examination.
New
Enhancing classical painting techniques with elements of pop art, kitsch, and camp, Katrin Valgemäe’s subtly grotesque pinup product series takes inspiration from the media’s exaggerated self-centeredness, revealing various layers with intriguing narratives upon closer examination.
The idea for this painting came from the artists own life. “It is my allegorical self-portrait. The kitchen is the epicentre of my home. It’s a place where I spend most of my time. Whether it is caring for my small child, cooking, or doing other chores, everything happens in the kitchen. I also paint in the kitchen. Additionally, there is a hint of influence from Richard Hamilton, from his (1956) collage “Just what is it that makes today’s homes so different, so appealing?” I tried to capture the satire of my “well” organised everyday life, the parodical stretch of the overwhelming illusion – always trying to be everything to everybody and nothing less.”
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