Enhancing classical painting techniques with elements of pop art, kitsch, and camp, Katrin Valgemäe’s subtly grotesque pinup product series takes inspiration from the media’s exaggerated self-centeredness, revealing various layers with intriguing narratives upon closer examination.
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Enhancing classical painting techniques with elements of pop art, kitsch, and camp, Katrin Valgemäe’s subtly grotesque pinup product series takes inspiration from the media’s exaggerated self-centeredness, revealing various layers with intriguing narratives upon closer examination.
Pot Holders “Meta-Absinthe” that are not only Practical Accessories but Also Statement Pieces!
Meta-Absinthe is a fusion of “today’s absinthe,” which is the excessive glamour of (sochial) media, and Eduard Wiiralt’s “Absinthe Drinkers”.
Our everyday visuals are flooded with “beautiful pictures” and “good life,” but when we start delving deeper, where do its roots reach? What dependencies are hidden within us, and what are we trying to cover them up with?
Let these pieces remind you to savor life’s little moments and find beauty in the everyday. Because, after all, who says functional can’t also be fabulous? 🌟
Kitchen Mitten is suitable for use in the kitchen, barbecue, and oven heating. One side of the glove is double wool and the other side is leather with a single woolen layer. The length of the cotton hook is 7 cm.
Shipping 3-7 working days
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This practical and durable oven glove is not only a statement piece for any kitchen, but also a unique addition to any art collection.
Enhancing classical painting techniques with elements of pop art, kitsch, and camp, Katrin Valgemäe’s subtly grotesque pinup product series takes inspiration from the media’s exaggerated self-centeredness, revealing various layers with intriguing narratives upon closer examination
New
Enhancing classical painting techniques with elements of pop art, kitsch, and camp, Katrin Valgemäe’s subtly grotesque pinup product series takes inspiration from the media’s exaggerated self-centeredness, revealing various layers with intriguing narratives upon closer examination.
“The inspiration is coming from Francisco de Goya’s painting “Still Life with Golden Bream” (1808-1812). I wanted to capture the physical beauty of the fish the same way, but to paint the subject with Renaissance portrait characteristics, just as a people were portrayed: in the centre of the painting, painted in realism, in their natural form, with a plain dark background. To have a portrait painted meant you had to have a high social status. This carnivore had that, but the food chain continues with another carnivores’ feast.”
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